In documentary photography, the "moment" is that split second where everything converges — movement, light, and the scene itself. It’s the precise instant when one manages to capture what would otherwise vanish. This moment is both a challenge and a necessity: the need to seize the ephemeral, to stop the flow of the world and extract what’s essential.

In China, where modernity and tradition clash at a dizzying pace, each image becomes a testament. My gaze aims to freeze what gets lost in the acceleration of time. Each photo is an anchor in a changing reality, a way to say: "Here is what is, here is what remains.